Wednesday, April 15, 2009
Tuesday, April 14, 2009
I picked up the dress on ebay - it was originally a floor-length, Grecian-style frock. It was square across the neck and back, the fabric falling from narrow panels which fastened with buttons at each shoulder. My re-working of the dress saw my shortening it into something more Summer-friendly. I removed the neck and back panels, and made shoulder straps from fabric taken from the hem.
For this collar I took the removed panels and remaining fabric, played with it it on the dummy for a bit, then hand-stitched the pieces together. Easy-peasy (just the way I like it!). It fastens with a couple of hooks and eyes.
I haven't yet photographed any of my project garments on live bodies. That is something I hope to do over the coming weeks, and will blog about shortly.
Wednesday, April 1, 2009
This publication is timely for me, as my own research is veering toward questions of ethics in terms of how we apprehend our relationships with the material and immaterial conditions through which we work.
With the help of my supervisors Kath Horton and Andrew McNamara, I put together the following abstract for a 5000 word paper. Writing it helped me formally 'try on' some of the ideas that had been pestering me for awhile, regarding how to best articulate my PhD project's orientation:
Traditional approaches to fashion design are largely dependent on an ontology of design as a pre-conceived system determined by its end product. The same tradition presupposes that designers are individuals who transcend the everyday in the quest to create ‘the new’. These two presumptions result in a separation, but also an opposition between plan (or pre-determined outcome) and process, in which process is relegated to a subsidiary role to the plan as well as to the designer’s intention. This paper proposes an alternative ontology of design based on an ethics of making. Through an investigation of non-professional sites of clothing production, it explores design as grounded in an experiential engagement with the world. By looking at activities where conception and creation are heavily negotiated around constraints, I consider design as an activity where plans sit within both the material and immaterial conditions of the making process. This positions plan and control as approaches embedded in pre-existing and mutable conditions. By connecting the designer with the materiality of the planned design process, this paper challenges conceptions of design that privilege both the pre-determined plan and the autonomous creativity of the designer. It elucidates an ethics of making that underpins the recent concern for environmental and social responsibility in the fashion industry—connecting the designer to the ‘everyday’ conditions through which they conceive of and undertake their practice, to reposition designers as part of larger systems of making.